COLLOCATION​

This series started out as a challenge to bring my photography and upholstery skills together. With any creative process, especially new ones, they tend to tale you all over the place while you discover how to use it within your scope of creativity. The pieces witho

Where traditional photography captures a single, frozen moment, in the process, I like to embrace the abstract beauty of colliding my upholstery skills. By deconstructing and reconstructing images, I challenge the notion of a fixed perspective, reflecting the reality of life—full of contradictions, overlaps, and dualities.

​

The woven prints add a tactile element to the photographic process, transforming flat images into something physical and enduring. Similarly, the layered exposures suggest movement and depth, conveying the idea that moments are rarely isolated but instead interconnected.

​

Each piece invites viewers to consider the tension between chaos and order, the tangible and the intangible, and memory and reality. It’s a call to embrace life’s dualities and find beauty in the unexpected.

​

Can these dualities coexist, or do we see only one perspective at a time?